Staufenberg (Gernsbach): Difference between revisions

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In the early 19<sup>th</sup> century it was mentioned that the municipality had no own seal, thus in 1819 a new seal was made. There was no reference anymore to the jug, as the seal showed the letters ST. In the late 19<sup>th</sup> century, the jug returned, not on a hill, but between two laurel branches. This composition was made into arms in the spring of 1901. The colours were chosen arbitrarily.   
In the early 19<sup>th</sup> century it was mentioned that the municipality had no own seal, thus in 1819 a new seal was made. There was no reference anymore to the jug, as the seal showed the letters ST. In the late 19<sup>th</sup> century, the jug returned, not on a hill, but between two laurel branches. This composition was made into arms in the spring of 1901. The colours were chosen arbitrarily.   


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[[Civic Heraldry Literature - Germany|'''Literature''']]: Zier and Futterer, 1966.
[[Civic Heraldry Literature - Germany|'''Literature''']]: Zier and Futterer, 1966.

Revision as of 11:49, 26 December 2022




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STAUFENBERG

State : Baden-Württemberg
District (Kreis) : Rastatt Incorporated into : 1974 Gernsbach

Wappen von Staufenberg (Gernsbach)/Arms (crest) of Staufenberg (Gernsbach)
Official blazon
German

In Silber über zwei schräggekreuzten grünen Lorbeerzweigen eine rote Schenkkanne, Henkel rechts.

English (Gernsbach) No blazon/translation known. Please click here to send your (heraldic !) blazon or translation

Origin/meaning

The oldest known seal of the village dates from 1507 and shows a canting jug (Stauf) on a mountain (Berg). All seals until the end of the 18th century show the same composition, on the latter seals in a shield.

In the early 19th century it was mentioned that the municipality had no own seal, thus in 1819 a new seal was made. There was no reference anymore to the jug, as the seal showed the letters ST. In the late 19th century, the jug returned, not on a hill, but between two laurel branches. This composition was made into arms in the spring of 1901. The colours were chosen arbitrarily.


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Literature: Zier and Futterer, 1966.